Post by Broke The Lost Admin on Feb 2, 2019 10:00:51 GMT -5
Kaguya Clan
From the same roots as the Momochi clan, the Kaguya clan was a family that for generations engaged in mercenary work. Known throughout all lands for their terrifying combat efficiency, the truth of the Kaguya clan is less brutal than those they have fought would claim; there is a strict code of honor within the family that demands they best their opponents through a duel before delivering, when necessary, a clean kill. During the Kiri-Kumo war, the Third Mizukage was desperate for additional help and thusly accepted the Kaguya and Momochi into Kirigakure - something the Second was hesitant to do and found unnecessary.
While most Kaguya do not possess a kekkei genkai and fight in ways very similar to the Momochi, albeit without stealth and assassination due to their code, those that do are held up as those blessed by their folk god as champions of war. This clan is locked because any player member of the clan has Shikotsumyaku, while most EC/NPC Kaguya do not. Regardless of wielding the legendary taijutsu kekkei genkai, Kaguya have either black or white hair with sharp green eyes. Two red dots on the forehead is also consistent, placed at birth as part of a ritual. Above all, the honorbound Kaguya do not rely on the shadows to carry out their will in battle.
Dead Bone Pulse (T2)
As a member of the honorbound Kaguya clan, this individual was blessed with their unique and frightening kekkei genkai: Shikotsumyaku. Because of this, they have access to the first three known dances and can make their own. Their mastery over Shikotsumyaku has only just begun, however, and it is far from perfection with a deep strain to both their chakra and body to perform. A Kaguya can control the density of their bones, able to reinforce them to be more durable (scaling with chakra control.)
Shikotsumyaku Master (T4; Semi-Unique)
This individual has taken their mastery of the Kaguya kekkei genkai, Shikotsumyaku, to a level worthy of admiration as well as sheer horror. Manipulating their bones comes as easy as breathing and has a substantially reduced strain to their chakra and body to utilize. They are able to create bone armor underneath their skin to protect from internal injury and gain access to both components of the fourth dance. At this level of mastery this person truly contributes to Shikotsumyaku's legend as the ultimate form of taijutsu. A Kaguya can control the density of their bones, able to reinforce them to be more durable (scaling with chakra control.)
Clan Jutsu
Yanagi no Mai
[C Rank]
The first of the Kaguya's five dances. To perform this dance, the user grows several long bone blades from their body for use as weapons. There isn't any set form for the Dance of the Willow. Just like a willow that is shaken by the wind, the user takes an emphasis on attempting to parry and counter attacks. Uncharacteristic of a willow, the hardened bones puncture and damage the opponents body.
Though they can primarily use two blades grown from the palms of their hands, they may also use several secondary bones grown from their elbows, knees, and shoulders. This dance form is incredibly acrobatic, using spins, charges, and long sweeping slashes to make the strikes more effective and to evade opponents' counter strikes.
Req: T1 Taijutsu, Dead Bone Pulse
Tsubaki no Mai
[C Rank]
The second of the Kaguya's five dances, which they perform by modifying one of their upper arm bones to create a short, bone-hilted bone sword. They then stab chaotically and continuously which can cause less-trained eyes to lag behind. The movement is irregular which makes it difficult to predict, as with each thrust the sword's track is very capable of changing.
The attack comes from unexpected angles, which can throw their target off-guard. Though one can have great reflexes and moving ability, it is very difficult to keep dodging the fierce attack until it stops. These bone swords can be adjusted in length upon creation, although cannot change once made. Alternatively, they can create two blades- one in both hands, but will suffer a steeper penalty for doing so unless they have considerable mastery over their Shikotsumyaku.
Note: User can make the blade one of 3 sizes: Dagger-length (Scales with Taijutsu) | Wakizashi-length (Scales with Taijutsu w/ Tanto Masery or Kenjutsu) | Sword-length (Scales with Kenjutsu). User cannot use arm the blade's made from for the rest of that turn, and if two are made, they cannot use either for that turn. This drawback is negated with Shikotsumyaku Master, as it lets them attack immediately.
Req: T1 Taijutsu, Dead Bone Pulse
Karamatsu no Mai
[B-rank]
The third of the Kaguya's five dances. From the body, several bones pop out all at once. The stronger the opponent's physical attack, the more powerful the counter-attack is, able to inflict severe damage. The sudden defense makes way for a technique which has great potential for battle for surprising opponents. The bones can be used to block or trap an opponent's taijutsu strikes. In addition to being an unwelcome surprise for opponents, it makes them extremely difficult to handle at close range. If an opponent would start to get close to them, they could begin to spin rapidly slashing the foe in multiple areas. The areas that these bones can appear from are mostly the joints, shoulders and ribcage of a Kaguya. This dance is very strenuous to an inexperienced Shikotsumyaku user's body.
Req: T2 Taijutsu, Dead Bone Pulse
Tessenka no Mai: Tsuru
[A-rank]
The first half of the Kaguya's fourth dance. With the Shikotsumyaku, the user can modify and pull out their own spinal column, and regrow a new spine to replace it. Between the bones in the gaps there is cartilage that allows flexibility, which makes it possible to bend it as if it were a whip. With average estimation skills along with the impossible range it stretches, dodging is difficult. The protrusions on the vertebrae are modified to make them stronger and sharper. It's common to follow up with Tessenka no Mai: Hana to pierce the immobilized opponent afterwards.
Req: T3 Taijutsu, Shikotsumyaku Master
Tessenka no Mai: Hana
[A-Rank]
This technique is the second half of the Kaguya's fourth dance. To obtain the strongest-absolute hardest weapon, a considerable amount of chakra is needed. Enhanced to the highest degree-maximum solidity due to the dense compression, the bone weapon is exceedingly large. It takes on the form of a large drill condensed of bone purely around a singular arm, of which can pierce through even the strongest of structures. Since its destructive power has no meaning if the blow does not connect with the opponent, it's common to follow up Tessenka no Mai: Tsuru with this technique.
Req: T3 Taijutsu, Shikotsumyaku Master
Teshi Sendan (Semi-Unique)
[A-Rank]
Hardened bones from the fingertips are shot at the enemy, with a spinning motion added to the skeletal bullets. A direct hit will excavate skin, flesh, and bone. Since the bones of the user can be regenerated to a degree, the rate of fire from the user's arsenal is incredible. This technique is essential to the Kaguya clan for distance attacks. Each bullet is strong enough to easily pierce through the steel armor. Those without mastery over the Shikotsumyaku will suffer hefty drain from the usage of this technique and be unable to use it again for a while once it runs out. With apt mastery, however, the drain is significantly less but still somewhat steep- but even then they still need to take the time to properly regenerate the bones in their fingers for proper use again.
Note: If user has Bone Awakening, 2 turn cooldown after usage. If the user has Bone Manipulator, 1 turn cooldown after usage & drain is significantly lessened. Hand used to fire the bone bullets is disabled during the CD.
Req: T3 Control, Shikotsumyaku Master
Sawaribi no Mai (Unique)
[A-rank]
The last of the Kaguya's five dances where countless bones rise from underground — which can be as many as thousands, up to the tens of thousands. The blades of bone indiscriminately slaughter whoever stands on the ground's surface. Furthermore, if this fails to bring down their foe, the user can become one with the bones, which in turn can allow them to attack an enemy unnoticed. With this technique in effect, they move at incredible speeds and are in their element after turning the battlefield into their playground.
Note: 15x15 radius. Immensely drains chakra upon start-up, and continues to steadily drain the user each turn this is in effect. Can use other Kaguya techniques after this is used. If Tessenka no Mai: Hana is active before this technique is used, it remains as such even after use.
Req: T4 Control, Shikotsumyaku Master
Yanagi no Mai
[C Rank]
The first of the Kaguya's five dances. To perform this dance, the user grows several long bone blades from their body for use as weapons. There isn't any set form for the Dance of the Willow. Just like a willow that is shaken by the wind, the user takes an emphasis on attempting to parry and counter attacks. Uncharacteristic of a willow, the hardened bones puncture and damage the opponents body.
Though they can primarily use two blades grown from the palms of their hands, they may also use several secondary bones grown from their elbows, knees, and shoulders. This dance form is incredibly acrobatic, using spins, charges, and long sweeping slashes to make the strikes more effective and to evade opponents' counter strikes.
Req: T1 Taijutsu, Dead Bone Pulse
Tsubaki no Mai
[C Rank]
The second of the Kaguya's five dances, which they perform by modifying one of their upper arm bones to create a short, bone-hilted bone sword. They then stab chaotically and continuously which can cause less-trained eyes to lag behind. The movement is irregular which makes it difficult to predict, as with each thrust the sword's track is very capable of changing.
The attack comes from unexpected angles, which can throw their target off-guard. Though one can have great reflexes and moving ability, it is very difficult to keep dodging the fierce attack until it stops. These bone swords can be adjusted in length upon creation, although cannot change once made. Alternatively, they can create two blades- one in both hands, but will suffer a steeper penalty for doing so unless they have considerable mastery over their Shikotsumyaku.
Note: User can make the blade one of 3 sizes: Dagger-length (Scales with Taijutsu) | Wakizashi-length (Scales with Taijutsu w/ Tanto Masery or Kenjutsu) | Sword-length (Scales with Kenjutsu). User cannot use arm the blade's made from for the rest of that turn, and if two are made, they cannot use either for that turn. This drawback is negated with Shikotsumyaku Master, as it lets them attack immediately.
Req: T1 Taijutsu, Dead Bone Pulse
Karamatsu no Mai
[B-rank]
The third of the Kaguya's five dances. From the body, several bones pop out all at once. The stronger the opponent's physical attack, the more powerful the counter-attack is, able to inflict severe damage. The sudden defense makes way for a technique which has great potential for battle for surprising opponents. The bones can be used to block or trap an opponent's taijutsu strikes. In addition to being an unwelcome surprise for opponents, it makes them extremely difficult to handle at close range. If an opponent would start to get close to them, they could begin to spin rapidly slashing the foe in multiple areas. The areas that these bones can appear from are mostly the joints, shoulders and ribcage of a Kaguya. This dance is very strenuous to an inexperienced Shikotsumyaku user's body.
Req: T2 Taijutsu, Dead Bone Pulse
Tessenka no Mai: Tsuru
[A-rank]
The first half of the Kaguya's fourth dance. With the Shikotsumyaku, the user can modify and pull out their own spinal column, and regrow a new spine to replace it. Between the bones in the gaps there is cartilage that allows flexibility, which makes it possible to bend it as if it were a whip. With average estimation skills along with the impossible range it stretches, dodging is difficult. The protrusions on the vertebrae are modified to make them stronger and sharper. It's common to follow up with Tessenka no Mai: Hana to pierce the immobilized opponent afterwards.
Req: T3 Taijutsu, Shikotsumyaku Master
Tessenka no Mai: Hana
[A-Rank]
This technique is the second half of the Kaguya's fourth dance. To obtain the strongest-absolute hardest weapon, a considerable amount of chakra is needed. Enhanced to the highest degree-maximum solidity due to the dense compression, the bone weapon is exceedingly large. It takes on the form of a large drill condensed of bone purely around a singular arm, of which can pierce through even the strongest of structures. Since its destructive power has no meaning if the blow does not connect with the opponent, it's common to follow up Tessenka no Mai: Tsuru with this technique.
Req: T3 Taijutsu, Shikotsumyaku Master
Teshi Sendan (Semi-Unique)
[A-Rank]
Hardened bones from the fingertips are shot at the enemy, with a spinning motion added to the skeletal bullets. A direct hit will excavate skin, flesh, and bone. Since the bones of the user can be regenerated to a degree, the rate of fire from the user's arsenal is incredible. This technique is essential to the Kaguya clan for distance attacks. Each bullet is strong enough to easily pierce through the steel armor. Those without mastery over the Shikotsumyaku will suffer hefty drain from the usage of this technique and be unable to use it again for a while once it runs out. With apt mastery, however, the drain is significantly less but still somewhat steep- but even then they still need to take the time to properly regenerate the bones in their fingers for proper use again.
Note: If user has Bone Awakening, 2 turn cooldown after usage. If the user has Bone Manipulator, 1 turn cooldown after usage & drain is significantly lessened. Hand used to fire the bone bullets is disabled during the CD.
Req: T3 Control, Shikotsumyaku Master
Sawaribi no Mai (Unique)
[A-rank]
The last of the Kaguya's five dances where countless bones rise from underground — which can be as many as thousands, up to the tens of thousands. The blades of bone indiscriminately slaughter whoever stands on the ground's surface. Furthermore, if this fails to bring down their foe, the user can become one with the bones, which in turn can allow them to attack an enemy unnoticed. With this technique in effect, they move at incredible speeds and are in their element after turning the battlefield into their playground.
Note: 15x15 radius. Immensely drains chakra upon start-up, and continues to steadily drain the user each turn this is in effect. Can use other Kaguya techniques after this is used. If Tessenka no Mai: Hana is active before this technique is used, it remains as such even after use.
Req: T4 Control, Shikotsumyaku Master